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Participation: 100%
Unique Durations: 4-5
Unique Chords: 3-6
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Handel
Händel - Lascia Ch'io Pianga, for Flute and Cello
Hyeon Kim
3:36 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 17 3 6 100%
Bass 16 6 2 5 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 17 3 6 100%
Bass 16 6 2 5 99%
Cello Bass 20 0 2 8 89%
Flute Treble 15 0 3 11 89%
 
HWV5A1N2 "petto col fulmine del cielo"
edward.maurath
0:06 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 10 10 2 2 88%
Bass 9 5 1 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 10 10 2 2 88%
Bass 9 5 1 4 100%
Violoncello (Continuo) Bass 7 0 1 2 100%
Florinda 7 0 1 5 67%
 
Handel: La March - D Major
edward.maurath
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
Bassoon Bass 12 3 2 5 100%
BSN Bass 15 2 1 5 100%
Kontrebaß Bass 15 0 1 5 100%
Oboe
1		 Treble 12 0 1 5 100%
Oboe
2		 Treble 13 2 3 5 100%
Vcl Bass 15 0 1 5 100%
Vla 12 3 2 5 100%
Vln Treble 15 39 3 5 100%
Trumpet
at concert
pitch		 Treble 12 1 1 5 75%
 
"Non disperar, chi sa?" from HWV 17
edward.maurath
0:01 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 24 12 6 6 98%
Bass 23 4 6 5 98%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 24 12 6 6 98%
Bass 23 4 6 5 98%
Harpsichord Treble 24 10 7 6 98%
Bass 23 5 7 5 98%
Continuo Bass 23 0 6 5 98%
Cleopatra 16 0 5 5 72%
Violini Treble 16 0 2 6 62%
Celli Bass 17 0 1 3 56%
Violas 11 0 0 4 33%
Kontrebaß Bass 13 0 0 2 21%
 
"Alma del gran Pompeo" from HWV 17, "Giulio Cesare," (1724)
edward.maurath
2:20 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 4 6 4 100%
Bass 20 4 6 4 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 4 6 4 100%
Bass 20 4 6 4 100%
Harpsichord Treble 17 4 6 4 100%
Bass 20 4 6 4 100%
Celli Bass 16 0 5 4 100%
Continuo Bass 16 0 5 4 100%
Contrabasses Bass 15 0 5 4 100%
Violas 14 0 5 4 100%
Vln
1		 Treble 14 0 5 6 100%
Vln
2		 Treble 14 0 4 6 100%
Cesare 15 0 6 4 83%
 
HWV56N39 - Their sound is gone out - (1743)
edward.maurath
1:08 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 20 58 4 4 100%
Bass 16 4 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 20 58 4 4 100%
Bass 16 4 2 4 100%
Cello Continuo Bass 16 0 2 4 100%
Contrabass Bass 16 0 2 4 100%
Tenor 11 0 2 5 96%
 
HWV56N10 Behold, darkness shall cover the earth
edward.maurath
2:47 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 42 11 4 96%
Bass 16 4 6 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 42 11 4 96%
Bass 16 4 6 4 100%
Cello Bass 14 0 4 4 100%
Viola 16 0 5 4 100%
Violin
I		 Treble 17 0 5 5 100%
Violoncello Continuo Bass 14 0 4 4 100%
Violone Bass 14 0 4 4 100%
Violin
II		 Treble 18 0 6 4 96%
Bass Bass 14 0 3 8 83%
 
HWV17A3N09Y1724 Cesare, "Quel torrente che cade dal monte" in C Major
edward.maurath
2:48 Est. Play
Time
157 Measures
1,037Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 2 4 3 99%
Bass 21 4 4 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 2 4 3 99%
Bass 21 4 4 4 100%
Violoncello Continuo Bass 21 0 4 4 97%
Cesare 15 0 3 6 71%
Violins Treble 22 0 5 7 69%
Kontrebaß Bass 15 0 1 3 43%
Celli Bass 14 0 0 3 41%
 
"S'armi a miei danni" from "Giulio Cesare in Egitto," HWV 17, 1725
edward.maurath
9:11 Est. Play
Time
109 Measures
1,118Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 26 50 9 8 74%
Bass 24 6 4 4 99%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 26 50 9 8 74%
Bass 24 6 4 4 99%
Continuo Bass 21 0 3 4 99%
Sesto 16 0 6 7 68%
Violin Treble 19 0 2 8 62%
Treble 17 0 2 6 62%
Celli Bass 18 0 1 4 61%
Kontrebaß Bass 16 0 1 4 61%
Viola 12 0 1 4 49%
 
"Svegliatevi nel core" from HWV 17, (1724)
edward.maurath
3:08 Est. Play
Time
64 Measures
1,364Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 22 6 6 5 100%
23 9 4 6 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 22 6 6 5 100%
23 9 4 6 100%
Harpsichord Treble 21 2 4 5 100%
Bass 24 10 7 6 100%
Celli Bass 21 0 4 5 100%
Continuo Bass 21 1 4 5 100%
Contrabasses Bass 21 0 4 5 100%
Vln
1		 Treble 23 0 5 5 98%
Vln
2		 Treble 19 0 4 5 98%
Castrato as
Sesto		 Treble 15 0 3 6 80%
Flute Treble 13 17 2 4 25%
 
HWV56N40 - Why do the nations?
edward.maurath
3:33 Est. Play
Time
96 Measures
2,696Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 64 8 6 92%
Bass 21 3 6 4 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 64 8 6 92%
Bass 21 3 6 4 100%
Contrabass Bass 21 0 6 4 100%
Violoncello Continuo Bass 21 0 6 4 100%
Violin
I		 Treble 27 0 9 4 99%
Viola 23 0 6 4 98%
Violin
II		 Treble 25 0 7 4 97%
Organo Treble 20 63 7 6 92%
Orgono Bass 20 43 7 4 91%
Basso Bass 16 0 5 9 79%